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February 18, 2009
Art by Thomas Doyle.
The pieces’ radically reduced scales evoke feelings of omnipotence—as well as the visceral sensation of unbidden memory recall. Hovering above the glass, the viewer approaches these worlds as an all-seeing eye, looking down upon landscapes that dwarf and threaten the figures within.
Conversely, the private intensity of moments rendered in such a small scale draws the viewer in, allowing for the intimacy one might feel peering into a museum display case or dollhouse. Though surrounded by chaos, hazard, and longing, the figures’ faces betray little emotion, inviting viewers to lose themselves in these crucibles—and in the jumble of feelings and memories they elicit.
Young Quanzhi Ye's dream.
In 1996, a 7-year-old boy in China bent over the eyepiece of a small telescope and saw something that would change his life--a comet of flamboyant beauty, bright and puffy with an active tail. At first he thought he himself had discovered it, but no, he learned, two men named "Hale" and "Bopp" had beat him to it. Mastering his disappointment, young Quanzhi Ye resolved to find his own comet one day.
And one day, he did.
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